Announcement of Nomination for 2014 Liu Xiaobo Courage to Write Award Of Independent Chinese PEN Center

Title: Liu Xiaobo Courage to Write Award

Awardee: one or two individual annually;

Candidacy: Anyone in the case list of Writers in Prison Committee of International PEN who is still imprisoned or released under legal restriction of the right to freedom of expression, such as “deprivation of political rights”; Continue reading

Media Tycoon Critical of China Is Visited by Hong Kong Antigraft Agency

By ALAN WONG  AUG. 28, 2014

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Leaked documents suggest Jimmy Lai Continue reading

Tibetan-Chinese Reconciliation an ‘Urgent, Historic’ Task: Exile Official By Richard Finney

2014-08-28 

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Kelsang Gyaltsen, special representative to Europe of the Dalai Lama, Continue reading

Dai Qing: ‘DON’T AIM AT FAME; JUST BE A GOOD, COMPASSIONATE PERSON’

August 28, 2014, 6:00 am

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The Three Gorges Dam in China. Photo: Shutterstock

A self-confessed “accidental” reporter, Dai Qing has been making waves in Chinese media and society for more than three decades with fearless story-telling and outspoken opinions.

Her work opposing the Three Gorges Dam project in the 1980s and 90s (including the publication of her books Yangtze! Yangtze! and River Dragon Has Come) earned her international recognition, and her activism during this period also saw her imprisoned by Chinese authorities. While the tools have changed significantly over the decades, Dai Qing’s insights on investigative reporting from inside China, and the importance of press freedom, are as valuable as ever.

1.This year marks the 25th anniversary of your book Yangtze! Yangtze! on the controversial Three Gorges Dam project. How much has changed in China in these past 25 years when it comes to environmental awareness? Are investigative journalists holding officials and corporations accountable?

In the past 25 years, the environmental awareness of Chinese people has changed dramatically, especially among the educated who know how to use a VPN to cross the Great Firewall. There has also been great change for the residents whose living conditions and even lives have been threatened due to the deterioration of environment.

More and more investigative journalists make inquiries to officials who should be held accountable for the environmental destruction. However, officials have also improved their ability to evade these questions, by doing things such as seeking shelter from higher officials.

 

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Pretrial Hearing Scheduled For Detained Uyghur Scholar Tohti

2014-08-27 

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Ilham Tohti in Beijing, August 2012. Continue reading

Inspiring Dialogue, Not Dissent, in China-’Nowhere to Call Home’ Examines Prejudices

By IAN JOHNSONAUG. 20, 2014

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The documentary filmmaker Jocelyn Ford, left, and Zanta. Credit Sim Chi Yin for The New York Times

BEIJING — When the Tibetan farmer Zanta’s husband died, she was forced by local custom to move in with her in-laws, who forbade her son to attend school. Instead, she packed up and moved to Beijing, where she was helped by a relative from another lifetime.

That is the beginning of “Nowhere to Call Home,” a documentary by a foreign correspondent in Beijing, Jocelyn Ford, showing at the Museum of Modern Art this month. The film follows Zanta (who, like many Tibetans, goes by one name) here and in her hometown, where she confronts her father-in-law. Along the way, it becomes clear that the relative from another lifetime is Ms. Ford, who breaks the traditional wall between journalist and subject by becoming a friend.

The film breaks down the sometimes romantic Shangri-La view that Westerners have of Tibet, showing it to be a place with many hidebound traditions, especially discrimination against women. It also offers a shocking portrait of the outright racism that Zanta and other Tibetans face in Chinese parts of the country. And it shows how many members of minorities lack even basic education: Zanta’s sisters are illiterate, unable to count their change in the market or recognize the numbers on a cellphone. But maybe most surprising is that Ms. Ford has been quietly showing the film in China itself, eliciting admiration and unease that such a penetrating film was made by a foreigner.
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